We are excited to announce the publication of Max Saunders and Lisa Gee’s Ego Media: Life Writing and Online Affordances. Enabled by the internet and mobile technologies, digital media have generated profound changes in how and where we communicate, interact, and present ourselves. Ego Media explores the impact of these rapidly evolving media on forms and practices
Jasmine Mulliken, SUP’s Production and Preservation Manager for Digital Projects, recently presented at the Association of University Press’s Annual Meeting which was held online June 5-16. I had the great privilege earlier this month of presenting at AUPresses 2023 alongside some of my favorite and most esteemed peers and collaborators in a panel we designed
Production and Preservation Manager Jasmine Mulliken participated in a panel at the International Internet Preservation Consortium’s Web Archiving Conference. Last month, I had the honor of presenting SUP’s digital publications as a use case for Browsertrix Cloud, a tool for the web archiving of complex, interactive, digital scholarly publications. The panel, entitled Browser-Based Crawling For
Last week we learned that one of SUP’s digital projects has won a PROSE Award. Massimo Riva’s Shadow Plays: Virtual Realities in an Analog World, published in June of 2022, has won the Association of American Publishers’ 2023 PROSE Award for eProducts. This project was unique in its development in that, in addition to our
We are proud to announce the publication of Patrick Jagoda, Ireashia Bennett, and Ashlyn Sparrow’s Transmedia Stories: Narrative Methods for Public Health and Social Justice. Transmedia Stories is an experiment in multimedia publication and collaboration that explores storytelling-based research methods. With the growth of digital media, narrative is now conveyed through a range of new
Please join us in celebrating the release of Lincoln A. Mullen’s America’s Public Bible: A Commentary. Throughout the nineteenth century and into the twentieth century, newspapers in the United States—even newspapers which were not published by a religious denomination or organization—made frequent recourse to the Bible. Newspapers printed sermons and Sunday school lessons. They featured
December 31, 2022 will mark the end of the eighth year of Stanford University Press’s nine-year digital publishing initiative, funded by the Andrew W. Mellon Foundation. With one year to wrap things up, it seems an appropriate moment to begin reflecting on our achievements. This program of born-digital publishing projects, initially christened Interactive Scholarly Works
Last week I attended the DLF and DigiPres conferences in Baltimore. Below is a reformatting of my presentation for the latter, “The Story of a Digital Scholarly Publication, As Told by Its Preservation Format.” The original slides, with full presentation text (but without moving video) are available at https://osf.io/zerxs/. I want to start at the
We are thrilled to announce the release of our newest publication: Taylor Arnold, Courtney Rivard and Lauren Tilton’s Layered Lives: Rhetoric and Representation in the Southern Life Histories Project. The Southern Life History Project, a Federal Writers’ Project initiative, put unemployed writers to work during the Great Depression by capturing the stories of everyday people
With the launch of our latest publication a couple weeks ago, we’ve now released a total of eight projects to the scholarly community, ranging in topic from Black history to archaeology to Middle East studies to ecology. And as different as the subjects each project covers are the technologies on which they are built. That’s
