Are you a publisher wondering whether to take on innovative digital projects? Has an author approached you with an exciting idea but you aren’t sure how to begin evaluating this opportunity? Here are a few notes that might help you on your way. As part of our participation on the 3D Digital Edition Publishing Cooperative
A few months ago, I wrote about my continued adventures in web-archiving our initiative’s first publication, Enchanting the Desert. I won’t repeat the details here, but essentially I came to the conclusion that Rhizome’s Webrecorder was the best tool for that job. It was able to capture some of the dynamic JavaScript that wasn’t being
From the Presidential election to the World Cup watch parties, it was an electrifying time to be in downtown Mexico City for DH2018. SUP’s digital publishing initiative was well-represented at the week-long conference, sending our Acquisitions Editor, Digital Production Associate, and Sales and Exhibits Manager. Our group demoed several of our digital publications, including the
The supDigital team is at DH2018 in Mexico City this week, catching up with friends and colleagues and meeting lots of new ones. If you’re here come say hi! We’re at the table at the top of the stairs above registration. You’re welcome to stop by and check out our latest interactive publications making waves
We are pleased to announce the publication of our newest digital project: When Melodies Gather by Samuel Liebhaber. With over sixty audio and video recordings of poems in the Southern Arabian language of Mahri, this project lets you dive in and experience the practice of crafting poetry in an unwritten language. The more theoretically minded should head over
I’ve spent this week in Fort Worth, Texas at the Joint Conference of Digital Libraries. It’s a conference that brings together a somewhat surprisingly diverse set of people, from academics, to computer scientists, to web archivists, to, (of course) librarians. But despite its title, a show of hands at the first keynote indicated that only
When it comes to the format of interactive scholarly works, one size does not fit all. It’s been one of the greatest strengths and the greatest challenges of the kind of work we’re publishing under the Mellon-funded initiative. While other publishers, also in some cases with the help of the Mellon Foundation, are doing excellent
It will be another week before we can fully process and report out on what was a truly informative and productive last few days. Over the past several weeks we’ve been organizing and planning for the Preservation at Stanford University Press Workshop which was held May 14-15 at Stanford University. We brought together many of
The IIPC has accepted a panel proposed by Jasmine Mulliken, Anna Perricci, and Sumitra Duncan for inclusion in its 2018 Web Archiving Conference program. While the program has yet to be released, we are excited to be part of what promises to be a dynamic and productive conversation. The conference will take place in Wellington,
In the book publishing world, a pretty clear line exists between the editorial and production workflows. That line is transmittal. For our digital projects, this line more blurry. You could even imagine it as a very wide line, with a transparency setting of 35% or so (for all the graphic designers out there), that sits
