From the Presidential election to the World Cup watch parties, it was an electrifying time to be in downtown Mexico City for DH2018. SUP’s digital publishing initiative was well-represented at the week-long conference, sending our Acquisitions Editor, Digital Production Associate, and Sales and Exhibits Manager. Our group demoed several of our digital publications, including the
The supDigital team is at DH2018 in Mexico City this week, catching up with friends and colleagues and meeting lots of new ones. If you’re here come say hi! We’re at the table at the top of the stairs above registration. You’re welcome to stop by and check out our latest interactive publications making waves
I’ve spent this week in Fort Worth, Texas at the Joint Conference of Digital Libraries. It’s a conference that brings together a somewhat surprisingly diverse set of people, from academics, to computer scientists, to web archivists, to, (of course) librarians. But despite its title, a show of hands at the first keynote indicated that only
When it comes to the format of interactive scholarly works, one size does not fit all. It’s been one of the greatest strengths and the greatest challenges of the kind of work we’re publishing under the Mellon-funded initiative. While other publishers, also in some cases with the help of the Mellon Foundation, are doing excellent
It will be another week before we can fully process and report out on what was a truly informative and productive last few days. Over the past several weeks we’ve been organizing and planning for the Preservation at Stanford University Press Workshop which was held May 14-15 at Stanford University. We brought together many of
The IIPC has accepted a panel proposed by Jasmine Mulliken, Anna Perricci, and Sumitra Duncan for inclusion in its 2018 Web Archiving Conference program. While the program has yet to be released, we are excited to be part of what promises to be a dynamic and productive conversation. The conference will take place in Wellington,
In the book publishing world, a pretty clear line exists between the editorial and production workflows. That line is transmittal. For our digital projects, this line more blurry. You could even imagine it as a very wide line, with a transparency setting of 35% or so (for all the graphic designers out there), that sits
Last week I attended LDCX at Stanford University. Though the conference prides itself on the multiple interpretations of the abbreviation, it has in the past stood for “Library Developer Conference fill-in-your-own-X.” The L has grown to include the whole community of libraries, museums, galleries, and archives—essentially anyone tasked with the stewardship of cultural artifacts and
Progress continues on accessioning and depositing our first publication’s archive into our Stanford Library’s digital repository. While the project still lives in its original format online after its initial release almost two years ago, it’s never too soon to start safeguarding against the inevitability of digital decay. In fact, there’s a lot to be said
Part of the grant that funds our program for publishing interactive scholarly works is dedicated to helping us get to conferences and meetings with authors and colleagues. This year we’ve already been to MLA and AHA, both typical conferences for publishers to attend when their lists involve language, literature, and history, and both of which
